You Lousy Stinking Hellebore

Helleborus foetidus

Stinking Hellebore. Also Dungwort, Bear’s Foot

Family: Ranunculaceae

Not just a botanical insult the Stinking Hellebore is actually one of the least stinky of the foul-smelling plants. This shade loving perennial gets its name not from a foul flower but rather from the stinky smell when the leaves are stems are crushed. The classic variety of this Euro-and English native (also parts of Greece and Asia Minor) sports a pale green to yellowish-white, fice petaled flower but can even have purple edging. Hybrids commonly sold today include deeper purple flowers.

H. foetidus is a unique plant in that to date it is the only plant discovered that uses yeast to produce heat. According to an article in New Scientist from February, 2010 author Shanta Barley writes:

A European herb, the stinking hellebore, is the only plant discovered so far that relies on another organism to generate heat for it. Other plants, like the famous “corpse flower” whose blooms smell of rotting flesh, warm up by breaking down salicylic acid, or by tracking the sun’s movement.

 Which means that its nectar hosts colonies of yeast which it is believe attract certain pollinators. (This may also account for the issues I’ve always had with sticky aphids infesting my Stinking Hellebores!)
Plant in your garden in shade to part sun, this is a hardy and lovely addition to any garden. Grows to about 18″-24″ high and about as wide. Generally hardy to about 10 °F but I am told this can survive below zero in the right, well mulched and established garden bed. Moderate water. Great pollinator attractor, especially bees.
All parts of the plant are poisonous, causing violent vomiting and delirium. Ethnobotany, especially in the regions of Southern Italy, suggests that the poisonous qualities were used in folk medicine, including as an abortifacient. Decoctions of the leaves can be used as a topical treatment against parasites and fleas. The root of the plant is a heart stimulant.
H. foetidus is one of more than a dozen similar flowering perennials that belong to the Helleborus genus, with flowers that vary from white to pink to deep purple, nearly black. Check out hellebores.org for everything you ever wanted to know about hellebores! 

Raven Grimassi is a plant witch. He is a world-renowned author on witchcraft, folklore, Wicca, and Neopaganism whose most recent book, Old World Witchcraft, addresses something he refers to as the organic memory of the earth. He is a spiritual botanist–that is to say he goes beyond the medicinal or ethnobotanical uses of a plant and works with the spirit and the consciousness of the plant. In particular, he works with what we may all consider traditionally “witchy” or dark plants–rotanicals such as Aconite, mandrake, and hemlock. I was fortunate enough to have been introduced to Raven in Salem, Massachusetts a couple of years ago and to work with him as this book came out. I recently interviewed him.

What is your earliest plant memory?

This question brings back fond memories.  When I was around five or six years old, my mother had an herb garden in the backyard.  She would often call me over, show me a plant, and then ask “Did I ever tell you what we do with this plant?”  This was always a learning opportunity.  Here was the beginning of my interest in herbs and my understanding that they possessed abilities to influence things.

In Old World Witchcraft you introduce readers to the Ash, Birch, and Willow magical system. Can you describe this?

It’s a system that, in part, is designed to link people with the sentient nature of plants and the spirits that inhabit them.  At the core is a desire to be linked to the Green Wood in intimate ways, as were our ancestors before the time that humans moved towards mastering Nature as opposed to living in common cause with Her.

The practice is intended to establish communication on inner spiritual levels with the consciousness of the living plant life within Nature.  This is done through a variety of techniques such as meditation, conscious dream work, and the use of plant symbols that open direct channels to the Green Wood.

You speak of the organic memory of the earth. Where do plants and plant magic fit in with this memory?

Yes, the idea is that every living thing that died upon the earth had its essence absorbed into the soil.  The memory of each is contained in the mineral composition of the earth, what we call the “bone memory” of the Land.  We know scientifically that crystallized minerals can store, transmit,  and direct energy.  Plants absorb minerals through their root system, and the associated magical belief is that plants therefore can tap into the organic memory of the earth.   This makes it possible to extract memories from the earth when we work closely with plants and their spirits.

The book cover has an image of the mandrake on it. What is the significance of the mandrake?

Poetically speaking, the mandrake is the plant that dreamed of being human, and therefore its roots took on a humanoid shape.  Because we view the mandrake as part plant, part human (in the mystical sense) we think of it as a bridge between humankind and the Green Wood Realm.  In this way the mandrake is a mediator between the worlds.  Therefore we rely upon it to help with spirit contact and as an ally when working with plant spirits.

Do you have a favorite plant?

I have several that call to me in different ways and on different levels.  I like the mandrake because of its direct connection to humankind, and have grown them for many years.  The foxglove enchants me and I love its flowers.  Aconite is another plant that I love for its potent energy that it emanates – it is quite mystical.

What is growing in your garden right now that you are especially proud or fond of?

Well, all the traditional plants of Witchcraft, of course!   I grow them all: aconite, henbane, hemlock, hellebore, belladonna, and foxglove.  These plants surround a rose bush that represents the spiritual teachings of my personal tradition.   I also recently planted seedlings from selected trees that have legends associated with them:  rowan, hawthorn and blackthorn.

Learn more about Raven Grimassi at his website: www.ravengrimassi.net

Cover artist for Grimassi’s book is Benjamin A. Vierling. Look for an upcoming Rotten Botany interview with Vierling and his botanical alchemy!

Also be sure and watch for future entries on all of the above mentioned wickedly wonderful plants!

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